
Catholic Guilt uses a kinder, gentler wooden horse, which he affectionately calls his "wooden pony." His modifications include using a thin board, rather than a triangular plank, to allow clearer filming of the labia as she rides the Pony. Catholic Guilt's Wooden Pony is also lower to the ground, just high enough to force slave to tiptoes to protect her tender flesh. slave straddles it, tied loosely but well enough that she can not dismount. slave waits, helpless, as the inevitable muscle fatigue slowly sets in.
Use this time to talk to slave, to lecture her, to explore her body, to test her in small ways. Running your fingers around the curves of her helplessness, they settle inside her elbows to lead her motion. "Open." Is she pliant or willful? Will she will spread herself at your Word? Stroking the armpits, you check her grooming before sliding down to the curve of her breast, then further to her hip, and finally to the soft, tender parts she is working so hard to protect.
After many long minutes her calves finally tire. slave uses the last of her strength to lower herself as gently as possible to the hard, narrow surface of the Pony. Delicate flesh is pressed between the Pony and her pelvis, laying the first of many small bruises upon her sex. In moments her muscles can lift her and she rises again, but only for a few minutes this time. Muscles throbbing, again she lowers herself, carefully placing her weight on a new, unmarked place. It takes longer to summon the strength to rise a third time, but after long seconds riding the Wooden Pony she points her toes and pushes against gravity, sweating from the exertion... As slave's flesh swells comfort is impossible and she squirms constantly. It is this constant motion that gives "riding the Wooden Pony" its name.
Reaching down to the V of her body, you test her by squeezing some hanging flesh. See if she is swollen. See if she will hold her silence.

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Warning: do not try this at home!
The activities described above can result in permanent injury if prolonged